I really enjoy that she uses natural lighting and uses the environment to portray her subjects, instead of just using a plain seamless. The natural lighting makes her lighting soft and not contrasty, which gives the images an overall nice tonal range. She also put her models in relatable and realistic situations, but still keeping with the nice formal qualities, such as the striking poses, which create interesting lines throughout the frame as often seen seen in fashion photography.
I want to try and emulate her lighting and the formal qualities she shows in her models, as well as the placement of the models in the frame. She often places her models in the center or off-center, which could result in boring images, but the poses create movement throughout the frame. (It could be argued that this is not necessarily portraiture, because the models are unnamed and not really that important, but I think with the environment and making use of realistic situations, could really portray someone.)
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| Dior Ballgown, 1950, NY |
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| Japanese Bath, 1954, NY |
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| Mary Sykes in Puerto Rico, 1938. |
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| Jean Patchett in Grenada, 1953. |
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| California Desert, 1948 |










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